UPCOMING METRO-AREA PERFORMANCE DATES
Click on a date to order tickets from our online provider, Brown Paper Tickets.
New Perspectives: Modern Masterworks
Friday, June 1, 7:30 p.m. - Saint John's Cathedral, Denver
Saturday, June 2, 7:30 p.m. - St. John's Episcopal Church, Boulder
With special guest Brian du Fresne, organ. Ars Nova celebrates the renovation of one of Colorado’s finest organs: the historic Kimball organ of Saint John’s Cathedral in Denver. Featuring modern masterworks for chorus and organ by James MacMillan, Arvo Pärt, David Briggs, and more.
To order tickets by phone, please call (303) 499-3165
PREVIOUS CONCERTS THIS SEASON:
Mozart, Requiem - in concert with the Boulder Chamber Orchestra
Friday, October 28, 7:30 p.m. - Saint John's Cathedral, Denver
Saturday, October 29, 7:30 p.m. - First United Methodist Church, Boulder
Ars Nova joined forces with the Boulder Chamber Orchestra and conductor Bahmann Saless to present one of the most enigmatic pieces of music ever composed: Mozart’s ethereal and dramatic Requiem.
December Vistas: Christmas with Ars Nova
Friday, December 9, 7:30 p.m. - St. Paul's Lutheran Church, Denver
Saturday, December 10, 7:30 p.m. - St. John's Episcopal Church, Boulder
Friday, December 16, 7:30 p.m. - St. John's Episcopal Church, Boulder
Saturday, December 17, 2:00 p.m. - Bethany Lutheran Church, Denver, 2:00 p.m. matinee
A Colorado holiday tradition, with mysterious medieval harmonies, joyous polyphony from the Renaissance, and modern carols, presented with unique Ars Nova flair and accompanied by classical guitarist Benjamin Cantú. “…A fresh, fascinating yule program that transports listeners around the world and centuries back in time.” – The Denver Post
Renaissance Dimensions: Music by William Byrd and Thomas Tallis
Friday, February 24, 7:30 p.m. - St. Paul's Lutheran Church, Denver
Saturday, February 25, 7:30 p.m. - St. John's Episcopal Church, Boulder
Renaissance England’s William Byrd (1540-1623) composed some of the most beautiful and stirring music for voices in the 16th century. Byrd published his Mass settings for three and five voices between 1593 and 1595, in very small books without title or cover pages. These are very personal, intimate works; masterpieces for unaccompanied voices. The program will also include Thomas Tallis’ soaring Spem in alium, the famous 40-part motet, performed with one voice on each part.

