Ongoing coverage of last week's Starling-DeLay Symposium on Violin Studies at Juilliard
Like all shoulder-rests, it's not comfy for everyone, no matter what you do to it, though.
And man, I sure hate the comford cradle. That was a rest I tried to love, too. It's just so awful; I can't imagine ever liking it, as much as I've tried.
But, since you manage to love such an unwieldy beast as the Comford, I must ask this: isn't it silly to switch your shoulder rest - something that will legitimately affect your playing if changed - simply because it doesn't fit nicely in your case?
Cheers Carlo
Cheers Carlo
Cheers Carlo
I use nothing but CR, but I will ditch if I can play modern rep. With just a bit of chamois, or maybe even no chamois either!
Yes, I'm nuts, don't judge me... ;D
Cheers Carlo
Cheers Carlo
I hear that some Invisi-rests are made in China.
Cheers Carlo
Carlos and A.O.: playing restless or not depends on my health, actually. Sometime, like this morning, i used SR because i'm not feeling well.
;^)
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Vanessa: Madness! Ignorant, unenlightened fools! They know not the freedom of a liberated fiddle, and will tremble before our prowess and our Heifetz, Milstein and Mischa Elman's!!! ;D
Also, it was a joke. :D
Your cat seems to agree with me that you need to relax... ;D
BTW, anyone know where Buri is? :(
Cheers Carlo
I was looking at one recently and I loved the sound more than any other violins I have played, (I think it was a later one, about 1873) but the asking price is $240,000, which I feel is a bit on the high side. It is a Del Gesu model.
I picked mine on sound. Heard it played, instantly wanted it, and it turned out to feel just as terrific as it sounded. Wasn't even vaguely looking at the time.
Lydia, when you say you picked yours on sound, are you implying you have a Vuillaume? For some reason I was under the impression you play on a modern violin.
The one I played: the best way I can describe it is it made me sound like a professional; not just under my ear but also when recorded through my phone (the ULTIMATE test!). Very comfortable and easy and to play, and all notes were "fruitful" in a resonant way, very similar to the sound one gets when they play an A on the D-string and vibrate it, to where the sympathetic resonance from the open A is broken up by the vibrato and it makes the vibrato 10x more potent, even when very little width is given to the vibrato. Given that smaller vibrato yielded a larger effect, I found that the instrument was also far less tiring to play than others.
The feeling of having resonance on all notes - and not just notes where you're getting sympathetic vibrations from another string - was definitely an excellent one.
It is a thoroughly fabulous violin, and it's very versatile, though it really takes fine-grained control to play it well. I use a Korfker rest with it, and it really makes a huge difference. The instrument is sensitive to adjustments and it's surprisingly sensitive to both the weight of a rest and how tightly it clamps to the body of the violin.
Note, by the way, that I don't think the Korfker necessarily makes a significant tonal difference for all violins. But on this one, I find my VLM Diamond to be slightly more comfortable, but the sound difference from the Korfker -- a more open ring -- is significant enough that I've stuck with the Korfker.
In fact, on many instruments I've put it on, I believe the tone and projection has improved as compared to w/o a shoulder rest (I know that sounds crazy, but try it before judging!).
I also like that it's non-conforming for the most part.... sort of feels more like a rigid pad than a typical shoulder-grabbing rest. Also you can position it much closer to the collarbone while the feet of the rest remain sturdily mounted in the ideal position, which is great.

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